Film Studies: 5 More BBC Plays for Today Revisited
Course details
Course code
Q00020083Course date
Number of classes
5 sessionsTimetable
Tutor
George CromackFee range
How you'll learn
Venue
OnlineLevel of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
The BBC Play for Today strand ran from 1970 to 1984, an anthology series of one-off made for Television plays covered a broad range of genres from social realism to science fiction and anything in between. Now widely regarded as being part of the ‘Golden Age of British Television’, these plays also allowed a variety of then new writers and directors to express themselves on screen in an inventive and original platform allowing for experimentation in terms of style and themes, for many this was the start of a fruitful career. This course considers what made some into landmarks of TV drama, why they so often courted controversy and what shifted in the television landscape to bring about their decline, did audiences change and/or was this also a shift in political terrain. This course will make use of a mix of informal feedback, lecture using PowerPoint slides, some focused group discussion/creative tasks in breakout rooms and feedback. Sometimes funny, sometimes tragic and often both at the same time are we right to lament a time when the writer and not the viewing figures seemed to have the creative hold on television? Robin Redbreast (1970), The Flipside of Dominic Hyde (1980), The Fishing Party (1972), Bar Mitzvah Boy (1976), Brimstone & Treacle (1976).
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