WEA courses

The portrait has flourished as an art form from the ancient world to the present day and this innovative course will explore its continuing popularity. We shall study not only the painted face and figure but a variety of formats and formulae, from statuary to pendant medals and miniatures, and study artists as diverse as Holbein, Titian, Gainsborough, Singer Sargent and Francis Bacon. We include a reflection on the place of the photograph in this history of portraiture: was this new invention to prove a help or a hindrance to the creation of the modern portrait? This is a course for everyone who enjoys looking at paintings and no previous reading is required

Are you fascinated by art and how it developed, and would like to know more? Humans have always expressed their spirituality through art, from the earliest cave drawings to contemporary installations in cathedrals. This course concentrates on how European art has depicted the Christian faith, but also looks at the art of Islam and the Indian art of Buddhism and Hinduism. Beginning with cave art around the world, we look at some of the earliest artistic expressions of humanity’s search for the beyond. Buddhist and Hindu art from the centuries before Christ is discussed, as is art from the earliest roots of Islam from the seventh century onwards.

This course is designed to build on the work developed during the course last term and aims to support those who have either attended the previous course, or have some experience of crafting, and wish to continue to learn more techniques and skills to move forward to develop arts and crafts skills. Where appropriate, you will look at the history behind the development of the different art and craft skills and techniques, together with their popularity and trends. During this friendly course, you will learn how to use a variety of different resources and medias such as card, canvas, wool, fabric, glass and wood.

This Mosaic course is designed to introduce you to new craft skills and help you develop a new craft, whilst designing different images and relaxing, enjoying, being creative with others.

The British Empire played a major role in shaping the modern world and the lives of millions of people both at home and overseas. How did it come about?

The Victorian years saw unprecedented industrialisation which changed the face of Britain but also attitudes. Industrial developments were perceived as both positive and negative, but the countryside was viewed as a tradition, community and continuity. Yet images of the country, as well as the town, reveal the complexity of a society adapting to the modern world. Depiction of idyllic country scenes and grimy urban life reveal deep tension in Victorian society. This course will reveal that complexity and the contradictions which characterised the years 1837 to 1901 by examining paintings, engravings, photographs cartoons and the literature of the period.

This course will cover a discussion of the importance of the social and sexual mores of the times in history. There will be four weeks to look at the life and work of these remarkable women, Sofonisba Anguissola, Artemisia Gentileschi and Lavinia Fontana. We will cover the problems that faced them because of their place that their sex ensured they were kept in. Then at the ways they employed to get round these societal problems. Then we shall study their body of work under the context of the moment of history that they lived in.

This second of two courses on modern Chinese history concentrates on the history of China from 1912 to 1992 a time marked by profound transformations, including the fall of the imperial system, the rise of the First Republic, the Warlord Era, the establishment of the People’s Republic of China, and major upheavals of war, rebellion, revolution and geopolitical alignment. We trace the political social, cultural and economic development of China in the 20th Century. We consider the events, ideas and personalities that shaped this extraordinary national story. Throughout, we draw parallels with our own time and how we got here.

One of the revolutionary art movements of the early 20th century, surrealism was made for the movies. Artists keen on challenging the boundaries of form, genre and art itself, quickly made use of the possibilities of the moving image. Beyond that, early filmmakers discovered film’s potential for the ‘unreal’. In surrealist cinema, questions about identity and reality, challenges to social norms, the subconscious, dreams and the fantastic meet.

This course will help you develop further watercolour techniques interrelated with drawing skills, and in connection with inspiring examples in art history. It will help you learn classical techniques in a subtle way, by relating them to examples by various masters of drawing and watercolour (such as Dürer, Turner or Cezanne) and contemporary artists (such as David Hockney or Anselm Kiefer). If you would like to have a fresh view of watercolour painting and drawing, and learn how to achieve expressivity by carefully combining techniques such as glazing, graded wash or cross-hatching, this course will offer you an overview and will inspire personal artworks of great subtlety and sensitivity It will also encourage you to create your own original artworks based on the techniques learned and it will bring a fresh perspective on known techniques and styles, if you have already practised them in your own paintings. You will need to bring your own materials, paints and paper along for this course. The tutor will let you know what to bring