WEA courses

This course will show initial practical skills and methods used in Drawing and Painting. Taking a calm and relaxed approach to exploring ways of seeing and expressing with a range of materials. It explores colour theory in Art and exploration of painting techniques to develop your observational skill levels. Simple exercises are followed to make connections between mark making and painting from observation. Reflective practice is encouraged to document and develop your ideas tracked through sketchbook notes. Development of these skills will enable your confidence to produce imaginative and creative work.

Mirrors are present in several masterpieces, such as Van Eyck’s Arnolfini Portrait, Velazquez’s Las Meninas and Manet’s Un Bar aux Folies-Bergères. In these, mirrors and the reflections they reveal are often enigmatic as they add another dimension to what we (think we) see and deepen the work’s meaning. In this session, we will look at the different ways in which mirrors and reflected images have been included in works of art. As we do so, we will investigate the symbolism of the mirror in Western art and culture.

Discover selected paintings, sculptures, works on paper and new media works from the National Portrait Gallery in London. Marking the relaunch in summer 2023 of this national collection after a three-year refurbishment, this course offers an opportunity to discover new or less well-known artworks; and to re-visit familiar portraits that epitomise aspects of British history. We explore ideas around the function of portraiture; and the range of approaches and styles that artists have employed through history to express individual and national identity. Artists featured include Marcus Gheeraerts the Younger, Joshua Reynolds, Angelica Kauffmann, Pauline Boty, Jann Haworth and Liberty Blake.

Go behind the scenes of the Government Art Collection, a less well-known national art collection, with Chantal Condron, a former curator at the Collection. Discover the fascinating origins of its history, and the people and events that have shaped its past. Explore how and why artworks are acquired or commissioned and discover some of the locations where they have been displayed. We explore works across a range of media from paintings to film, by artists from the 16th to the 21st centuries, including Marcus Gheerhaerts the Younger, Thomas Phillips, Bridget Riley, Michael Armitage and recent Turner Prize winner, Jesse Darling.

The Sistine Chapel is indeed a jewel box of great painting. With works by Botticelli, Ghirlandaio, Perugino and Michelangelo, some of the greatest works of the Italian Renaissance are to be found there. But this is more than just a collection of great works. It is also the pope’s private chapel and so these works were created not just for display but to relay a greater message to the world, But how many of the thousands of visitors really understand that message or what these works are about? In this study day we shall seek to decode the 'messages' contained in these great works and see what Sixtus IV and Julius II and their artists were really saying to us.

This course views painting produced in the twentieth century. The course will include developments of figurative and abstract painting. There will be views of artists already prominent in the early twentieth century and artists who set out after 1945 from a wide range of attentions. From those born in the nineteenth century to those born in the 1960s. The course will attend to direct visual experience of reproduction of the works involved linked to elements of comprehension and understanding through a considerable range of exciting encounters and engagements. There are no requirements from students prior the beginning of the course. Students would benefit from access to online sources during the course. Papers and images will be made available to students through the WEA Canvas site. You will need to have access to the internet to access the papers for this course. The course uses a secure digital learning portal for all the classes and for communications with the tutor and access to learning materials.

Are you looking for a relaxing hobby to help you unwind? Creating moments of calm in the day is essential for our emotional well-being and mental health. Step into the world of mindful crafts with this course and enjoy art for relaxation. This creativity course allows you to explore your art skills to find practices that soothe you. This creative painting course can help you find a relaxing hobby.

Over the last twenty years, research and exhibitions have brought to our attention a great number of Victorian women artists. From Emily Mary Osborn and Lady Butler (aka Elizabeth Thompson) to Evelyn De Morgan, 19th century London did not lack great women artists. They lived in a society that globally remained hostile to independent career women. We will see how they trained, what they painted and his which style, and how they balanced the pressure of social norms and their personal ambition.

In this course, we will discuss in detail works from lesser-known painters of the Renaissance era. Since the High Renaissance is much better known, we will look at artists from the fifteenth century, who were very highly thought of at the time. They were influential and sought-after by the powerful in Florence.

If there is such a thing, at any time the “national mood” in any country is reflected in the cultural products of the period - visual works, theatre productions, the movies, the literature. The course will provide an overview of the decade from the artistic and cultural viewpoint. This will include the art movements which emerged such as Abstract Expressionism, exemplified by people like Jackson Pollock, music developments such as rock'n'roll famously promoted by Elvis Presley, Chuck Berry and many others and epoch-making movies such as West Side Story.