WEA courses

“Everyone has their own truth and their own values.”; “What counts as knowledge changes over time – for example, we no longer believe that the sun goes round the earth.” “Different societies have different moralities.” “People will never agree on how best to organise society.” Statements like these can be heard and read in public debates and on social media. The course uses philosophical ideas to explore 1. that how we think, which moral values we think we should follow and what we think is the best society to live in varies between individuals, cultures and historical periods 2. that it is not possible to reach agreement and 3. that if we all agreed our societies would be less vibrant and less worth living in. This is an introductory course, so no previous knowledge of Philosophy is expected.

This Pre-Entry Beginners English ESOL Conversation Class is designed for non-native speakers with little to no English proficiency. Held on Thursday mornings in Worthing, West Sussex, this welcoming and supportive course focuses on developing basic conversational skills for everyday situations. Students will learn essential vocabulary, simple sentence structures, and pronunciation through interactive activities, group discussions, and role-plays. Ideal for those looking to build confidence in speaking English, the class fosters a friendly environment where learners can practice and improve at their own pace. Join us to start your journey toward better communication in English!

This which go bump in the night, are some to quick to dismiss anything ghostly or supernatural as ‘horror’? Films which feature haunting and/or the supernatural so often rely on the fear of what might happen, mystery and suspense. As Alfred Hitchcock once said, ‘there is no terror in the bang, only in the anticipation of it’. We examine of this is also true of a good ghostly tale on film, like a thriller keeping the audience wondering what might happen? How do they do this, what techniques do they use? Films such as 1961’s The Innocents are noted as classics of the genre, adapted from a literary source, with memorable shots and scenes it still has the power to unnerve but has some of this been lost as other films copy its template? Ealing’s Dead of Night is now an influential cult classic but an oddball for the studio so noted for its comedy, what does it indicate about immediate post-war Britain? Rosemary’s Baby is now noted as pushing the genre forward into the modern age, from external terrors to fears lurking within society itself, 2001’s The Others attracted a broad audience, with fleeting nods to The Innocents, how did it re-energise the ghost story on film for the 21st Century. Whilst Ghost Story serves as an example of an all too often curio worth seeing for every fan of a ghostly tale. The Innocents (1961), Dead of Night (1945), Rosemary’s Baby (1968), Ghost Story (1974), The Others (2001).