WEA courses

This course will cover a discussion of the importance of the social and sexual mores of the times in history. There will be four weeks to look at the life and work of these remarkable women, Sofonisba Anguissola, Artemisia Gentileschi and Lavinia Fontana. We will cover the problems that faced them because of their place that their sex ensured they were kept in. Then at the ways they employed to get round these societal problems. Then we shall study their body of work under the context of the moment of history that they lived in.

In this course, we will focus on a key component of art: colour. We will seek to understand what colours are made of, how they were chosen, and how they work altogether in a composition, and what they mean for the viewers. As we study examples from Ancient Egypt to contemporary art, this fascinating subject will take us beyond traditional art history. We will sometimes invoke chemistry, economy, and psychology as we study the colours of works of art. As a result of this course, you will gain keys to understand and appreciate the colours of any work of art.

This course will focus on a geographical area that may be intriguing for many of us: the North of Europe. Lately, in films and TV series, novels, and design, the Nordic touch has been quite popular. What about the visual arts? If you would like to know more about the history of Nordic art, this course is for you! In this course, you will learn about artists from Denmark, Finland, Iceland, Norway, and Sweden. We will cover Viking objects, Norwegian stave churches, Danish and Swedish medieval church frescoes, Finish national romantic painting and the Skagen painters. We will also study the art and craft of the Sami people.

Literature: Writers of the Second World War is designed to introduce individuals to the literature that depicts the experiences and impact of the Second World War. This course covers key authors and works from the period, exploring their themes, contexts, and significance in literary history. Participants will read and analyse selected texts, learning about the historical and cultural backgrounds that influenced these works. The course includes lectures, discussions, and reading assignments that encourage critical thinking and deeper understanding of Second World War literature. By the end of the course, participants will have a comprehensive knowledge of the literature of the Second World War and its significance in the broader context of literary history. This course is ideal for literature enthusiasts and history buffs looking to explore the literature of the Second World War.

One of the revolutionary art movements of the early 20th century, surrealism was made for the movies. Artists keen on challenging the boundaries of form, genre and art itself, quickly made use of the possibilities of the moving image. Beyond that, early filmmakers discovered film’s potential for the ‘unreal’. In surrealist cinema, questions about identity and reality, challenges to social norms, the subconscious, dreams and the fantastic meet.

In this course we will discuss and analyse the following authors and their works. These are: Look Back in Anger - John Osborne. The Prime of Miss Jean Brodie - Muriel Spark. The Vet's Daughter - Barbara Comyns. A Voice Through A Cloud - Denton Welch. A Kind of Loving - Stan Barstow. These texts are an eclectic blend of plays, novels and the autobiographical in the case of Denton Welch, an eccentric and now largely forgotten. There will be great scope for discussion and the voicing of opinions, and you will be encouraged to develop your own theories and interpretations in a supportive atmosphere.

We will consider a range of films, from classics to contemporary cinema. We will discuss the style and meaning of diverse extracts drawing on key ideas from Film Studies. We will consider films from diverse countries, comparing and contrasting these with American and British cinema. The class will be organised around discussion of selected extracts, with guidance on points to look for, including different aspects of film such as the screenplay and cinematography. Students will be encouraged to develop their responses in small groups. Case studies will be included on Alfred Hitchcock and British cinema.

In this course, we will focus on a century of artistic creation in Britain. From the artists in Cornwall to the war artists during the Second World War, we will study a varied mix of artists and art movements. We will proceed chronologically, but will keep in mind several transversal themes, especially that of the dialogue with artistic centres abroad, such as Paris and New York. Doing so, we will wonder whether modern British art followed a similar path as elsewhere or if some singular traits can be identified.

Essex museums are full of wonderful and sometimes surprising objects. This course takes a selection of objects looked after in museums all over the county and uses them as sources for learning about everyday life in Essex in the past. Covering a range of themes and times the course will also give you some ideas for places to visit in your own time.

At the end of the First World War, Germany underwent dramatic change. The Kaiser abdicated, and the country emerged from a period of autocratic rule to embark on a bold and (on paper) very progressive experiment in republican democracy. At the same time, the victorious allies of the Great War imposed a punitive peace treaty on Germany at Versailles, reflecting their belief that Germany has caused the war and should pay the price. These changes, together with other factors such as the worldwide economic situation between the wars ushered in a period of social, political and financial turbulence in which Hitler and the Nazis would eventually rise to power.