WEA courses

During this course, we will begin our discussion with a Russian classic, Doctor Zhivago by Boris Pasternak. This 1957 novel was first published in Italy. It was not published in Russia until 1988. We will be thinking about the way Boris Paternak presents the political and societal events of his lifetime. Do these scenes and ideas resonate in only a historical sense? Later on in the course we willmove on to Zennor in Darkness, Helen Dunmore’s 1996 Orange Prize winning novel to think about her portrayal of World War one Cornwall and DH Lawrence, as we continue our discussion about the way fiction translates the past.

For the last century, crime fiction has been the most popular and lucrative of literary subgenres. But this commercial success belies a formal inventiveness and experiment, a constant drive to ‘make it new’, which has long been central to the genre. In this course we will read six crime novels (and three short stories) which chart the development of crime fiction. As well as considering each of these novels in isolation from week to week, we will also use the seven week course to ask ourselves: how has crime fiction changed through the years, and how has it remained the same? No previous knowledge of crime fiction is necessary – everybody is most welcome!

This is a chance to revisit some famous literary moments from Regency and Victorian novels, to remember, discuss and enjoy them together, to introduce some that are less familiar, and to inspire further reading.

During this course, we will begin our discussion with a Russian classic, Doctor Zhivago by Boris Pasternak. This 1957 novel was first published in Italy. It was not published in Russia until 1988. We will be thinking about the way Boris Paternak presents the political and societal events of his lifetime. Do these scenes and ideas resonate in only a historical sense? Later on in the course we will move on to Zennor in Darkness, Helen Dunmore’s 1996 Orange Prize winning novel to think about her portrayal of World War one Cornwall and DH Lawrence, as we continue our discussion about the way fiction translates the past.

The detective story is one of the most popular literary genres, as well as one that has produced some classic novels. Each week we focus on a short detective story or novel, reading and discussing key passages. The selected novels are in chronological order, from the 19th century to modern times. We begin with Edgar Allen Poe and Conan Doyle, and end with Sophie Hannah. We’ll be able to share and debate interpretations, sharpen our critical and appreciative faculties, understand what detective fiction can tell us about the society and culture that produced it, and, hopefully, be inspired to read other works by the writers featured on the course.

In this taster course, learners will begin by considering the many and varied sources of the Arthurian legend, in literature and other media, before focusing on the most famous and complete literary work in English on the Matter of Britain, Malory’s Morte d’Arthur. We will study examples from this extensive work, and explore Malory’s prose style and his use of late Middle English. No prior knowledge of Middle English is required, and the course is suitable for beginners and improvers.

You'll learn about the key pillars of creative writing, which will help you write effective fiction pieces, as well as create an effective creative writing practice. Whether you want to write a novel, short stories, or just write for self-awareness and personal development, come along, and join the class, whether you consider yourself an absolute beginner or someone who has written a little in the past.

This ESOL Literature course is for E2/E3 students who want to improve their English. You will read and talk about different stories, poems, and parts of books. The course will help you understand what you read and learn new words. You will do fun activities, talk in groups, and write about what you read. This will help you get better at reading, writing, speaking, and listening in English. The course is designed to make learning enjoyable and to help you feel more confident using English.

The act of looking is so closely bound up with the act of writing. Novels depend upon those moments when an author presses the pause button and allows their characters to just stop and look at something. This course will explore how photos, especially, can be used as a vital stimulus for creative writing. Over two days, you will explore the work of some of the world’s finest photographers, from Andre Kertesz to Garry Winogrand, all projected upon the screen. You will then be encouraged to look even closer and see where these images take your own writing. The course will also consider how established writers have engaged with the art of photography, from John Berger to Susan Sontag, Tony Harrison and Geoff Dyer. Most importantly, you will encourage you to find a way of using your own photos as a way of unlocking your own hidden powers of writing and observation. Come along and join our friendly lipreading group at The Centre in Newlyn. This class is suitable for all levels of lipreaders and is ideal for those recently experiencing hearing loss. Our experienced tutor will guide you through the basics of lipreading and show you how to practice your lipreading skills in everyday life. Research has shown that attending a lipreading class can give you greater: • Confidence to communicate with others • Control over your hearing loss, as you develop new communication skills • Independence, as you’re less reliant on others to help you follow conversation (Source RNID.org.uk) You will learn in a supportive environment alongside other learners who will be able to share their experiences of hearing loss and learn how to overcome them together

Dive into the different forms you can tell a story. We’ll look at braided stories, hermit crabs, list stories, epistolary and fragmentary forms across fiction and creative non fiction. Learn the techniques and appreciate the effects different shapes of a story can enhance your writing.