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Film & Media: 4 Wonders of Modern French Cinema

'Immerse yourself in the five film wonders of modern French cinema, deepening your knowledge, understanding, and appreciation of 21st-century international filmmaking. Discover the magic of these cinematic gems and broaden your love for the art of film. Moving slightly beyond the well-trodden historical path of French New Wave and even the Cinema du look of the 1980s, you'll explore the themes, influences, techniques and voices behind some captivating French cinema from relatively more recent years – have things changed? Are there still some factors parallel to earlier works? And what exactly might we mean by the term Modern French Cinema?

Course Information

Dates:
Mon 04/11/2024 -
Mon 25/11/2024
Times:
2:00pm - 4:00pm
Duration:
4 sessions
Location:
Online
Tutor:
George Cromack
Course code:
Q00017789
How you'll learn:
Online
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £29.60

Film & Media: 5 More Wonders of New Hollywood Cinema & Beyond

With the decline of the old Hollywood studio system, a new generation of film makers, many of them exposed to international cinema at film school, expressed themselves on screen with individual voices and a counter culture attitude. Key to this selection of films is the notion of a ‘crisis of public myth’ echoed throughout this period – just who are the heroes and who are the villains? We examine better known and continually highly acclaimed films such as Cool Hand Luke, was it just recycling the chain gang film or doing something more? The Outlaw Josey Wales as an example of the ‘Revisionist Western’ which came out of this period with its differing representation of the people and events of the Old West as previously seen in Classic Hollywood. The Last American Hero arguably questioning youthful attitudes, the law, freedom and the concept of the popular ‘folk heroes’ in a modern corporate world. Cult favourite, The Swimmer offering an example of more unusual comment on materialism, a crisis of national identity and more. With the Blues Brothers serving as an example a film carrying the New Hollywood baton in its attitude and approach after the blockbusters of the mid 1970s, mixing genres in a more comedic, musical and anti-realist style. All promoting knowledge of the subject matter and enthusiasm for film in general. Cool Hand Luke (1967), The Last American Hero (1973), The Swimmer (1968), The Blues Brothers (1980), The Outlaw Josey Wales (1976)

Course Information

Dates:
Mon 04/11/2024 -
Mon 02/12/2024
Times:
2:00pm - 4:00pm
Duration:
5 sessions
Location:
Online
Tutor:
George Cromack
Course code:
Q00018212
How you'll learn:
Online
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £37.00

History: Smuggling in Essex: The Romance & Reality

How do the popular representations of smuggling in novels, songs, poems, paintings and film match up to the reality? We will look at some of the enduring romantic depictions alongside official records to consider the reality of life for people up and down the Essex coast in the 18th century engaged in smuggling or the fight against it.

Course Information

Dates:
Mon 04/11/2024 -
Mon 02/12/2024
Times:
7:30pm - 9:30pm
Duration:
5 sessions
Location:
Bardfield Quaker Meeting House (Great Ba
Brook Street
Great Bardfield
CM7 4RG
Tutor:
Claire Parker
Course code:
Q00018319
How you'll learn:
In venue
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £42.00

Literature: Dickens and the struggles of life

For Charles Dickens, writing and worrying went hand in hand. His books were knitted together out of his own anxieties and struggles. And yet, despite the weight of all these worries, his novels are never depressing. To read Dickens is to glimpse the possibilities of new life. We all probably intend to read Dickens ‘one day.’ We all know his characters from various films and TV adaptations, so perhaps the time has finally come to get stuck into a major work. On this eight-week course we will read ‘Little Dorrit.’ We will also study some of Dickens's essays, short stories, and letters. You may already be a Dickens enthusiast, or a complete newcomer to his work. Either way, I hope that you will join us to explore a writer whose books still have the power to move and enlighten us today.

Course Information

Dates:
Mon 04/11/2024 -
Mon 16/12/2024
Times:
10:00am - 12:00pm
Duration:
7 sessions
Location:
Krowji (Redruth)
West Park
Redruth
TR15 3AJ
Tutor:
Mark Crees
Course code:
Q00013086
How you'll learn:
In venue
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £58.80

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Membership Information

Duration:
12 months
Fee:
£15

Art Practical: Exploring Drawing

Develop your skills to draw with confidence in line, tone and form and create art inspired by objects around you.

Course Information

Dates:
Mon 04/11/2024 -
Mon 09/12/2024
Times:
10:00am - 12:00pm
Duration:
6 sessions
Location:
Online
Tutor:
Abi Kremer
Course code:
Q00019607
How you'll learn:
Online
Availability:
8 places remaining
Status:
Available
Fee range
Free to £33.30

Film & Media: Exploring British Culture Through Cinema

Explore the rich history and cultural significance of British cinema in this comprehensive course. Analyse iconic films, directors, and movements that have shaped the British film industry from its inception to the present day.

Course Information

Dates:
Tue 05/11/2024 -
Tue 26/11/2024
Times:
9:30am - 11:30am
Duration:
4 sessions
Location:
Online
Tutor:
Andrew Roles
Course code:
Q00016333
How you'll learn:
Online
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £29.60

Film & Media: 5 Wonders from International Directors

Away from any specific film movements or ‘waves’ relevant to their own countries, some filmmakers seem to earn greater acclaim internationally, often making films set outside their own native country, yet still telling the stories and expressing the themes they wish to portray. We examine what some of these, perhaps universal, stories and themes are, what are the stylistic approaches they use and just how and why these manage to resonate with critics and audiences. Are all these films received with equal praise within the director’s home country, are they seen as ‘selling out’? And regardless of what the director themselves might intend or state, are there still conscious or unconscious echoes of national cinematic movements within their work? And what role might financial sources play? Ang Lee’s Crouching Tiger Hidden Dragon received praise yet the director was regarded by some as ‘selling out’ or ‘exploiting’ himself to the West. Luc Besson’s The Fifth Element could be viewed simply as a Hollywood sci-fi with a French Director, yet does the director add far more as an outsider, making more intellectual comment than one may expect from a commercial genre-movie. Not unlike Peter Wier’s Witness and Jane Campion’s The Piano, so many of these works which despite their creative diversity, also evidence their director’s own unique cinematic voice. Likewise, Wim Wenders recent Perfect Days, set in Japan, how far removed is it from the director’s early underpinnings of German Cinema? Perfect Days (2023), Couching Tiger Hidden Dragon (2000), The Piano (1993), Witness (1985),The Fifth Element (1997).

Course Information

Dates:
Tue 05/11/2024 -
Tue 03/12/2024
Times:
2:00pm - 4:00pm
Duration:
5 sessions
Location:
Online
Tutor:
George Cromack
Course code:
Q00018214
How you'll learn:
Online
Availability:
3 places remaining
Status:
Available
Fee range
Free to £37.00

Creative Writing: Scriptwriting for Film, TV & Radio

Ever wondered just where to start with a script for film, T.V and/or radio - each have their own format and require a differing approach . We take a friendly and accessible step by step guide through the requirements of writing for the big screen, the small screen and the ear. Writing for each of these mediums differs from that of a stage play, we may’ve heard the phrase ‘show don’t tell’ but how do we put that into practice and how does a writing creating compelling radio drama using only sound . We’ll discover there’s far more to these forms of script writing than just people talking.

Course Information

Dates:
Tue 05/11/2024 -
Tue 03/12/2024
Times:
7:00pm - 9:00pm
Duration:
5 sessions
Location:
Online
Tutor:
George Cromack
Course code:
Q00019069
How you'll learn:
Online
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £37.00

Film & Media: 5 Films of Haunting & the Supernatural

This which go bump in the night, are some to quick to dismiss anything ghostly or supernatural as ‘horror’? Films which feature haunting and/or the supernatural so often rely on the fear of what might happen, mystery and suspense. As Alfred Hitchcock once said, ‘there is no terror in the bang, only in the anticipation of it’. We examine of this is also true of a good ghostly tale on film, like a thriller keeping the audience wondering what might happen? How do they do this, what techniques do they use? Films such as 1961’s The Innocents are noted as classics of the genre, adapted from a literary source, with memorable shots and scenes it still has the power to unnerve but has some of this been lost as other films copy its template? Ealing’s Dead of Night is now an influential cult classic but an oddball for the studio so noted for its comedy, what does it indicate about immediate post-war Britain? Rosemary’s Baby is now noted as pushing the genre forward into the modern age, from external terrors to fears lurking within society itself, 2001’s The Others attracted a broad audience, with fleeting nods to The Innocents, how did it re-energise the ghost story on film for the 21st Century. Whilst Ghost Story serves as an example of an all too often curio worth seeing for every fan of a ghostly tale. The Innocents (1961), Dead of Night (1945), Rosemary’s Baby (1968), Ghost Story (1974), The Others (2001).

Course Information

Dates:
Wed 06/11/2024 -
Wed 04/12/2024
Times:
7:00pm - 9:00pm
Duration:
5 sessions
Location:
Online
Tutor:
George Cromack
Course code:
Q00018215
How you'll learn:
Online
Availability:
10+ places remaining
Status:
Available
Fee range
Free to £37.00

Creative Writing: Scriptwriting for Film, TV & Radio

Show don’t tell – so often easier said than done – Just how does an idea turn into a script? How much info do I include in a script? Is it really more than just dialogue? In some ways writing a script requires a very different approach from the writer. We gain knowledge and understanding of the differing requirements of writing for the screen, both what works for TV and what approach is more cinematic, as well as writing for the radio. Radio, so often described as the ‘intimate’ medium, plays in a listener’s head offering scope for greater imagination and powerful emotional effect. We will also explore the creative process, just what is the correct format for each of these mediums, where to start, how to develop an idea into a script, allowing it to grow scene by scene (what even is ‘a scene’). The course will also cover writing/developing a TV series, comedy, writing for ‘soaps’ and feature some more general skills on developing story structure and character development of interest to any budding writer. With a mix of group and individual tasks, discussion, analysis of clips as examples, it is hoped that all will dabble and develop some writing whilst on the course. What makes a good script and what is a bad script? This is an informative and fun course, with some key first hand information, not to be missed.

Course Information

Dates:
Thu 07/11/2024 -
Thu 05/12/2024
Times:
7:00pm - 9:00pm
Duration:
5 sessions
Location:
Stephen Joseph Theatre (Scarborough)
Westborough
Scarborough
YO11 1JW
Tutor:
George Cromack
Course code:
Q00018219
How you'll learn:
In venue
Availability:
6 places remaining
Status:
Available
Fee range
Free to £42.00