
Philosophy: Virtue and Vice: The Origin and Nature of Virtue Ethics
Course details
Course code
Q00021789Course date
Number of classes
6 sessionsTimetable
Tutor
Gregory ArtusFee:
How you'll learn
Venue
Angel Centre (Tonbridge)Angel Lane
Tonbridge
TN9 1SF
Level of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
Running over 6 weeks this course will begin with an analysis of Aristotle’s claim that good moral judgement cannot be codified into any set of rules, but is instead a practical skill, or techne, that can only be learnt through practice, and that to be a virtuous person is to develop phronesis, or practical wisdom. From these beginnings in ancient Greece, virtue ethics in various forms has emphasised that it is not actions that are good or bad, but people, and that morality is a question not of doing certain things, but of developing a virtuous character. Through the Roman period into subsequent Christian thinking, the focus centred on the four cardinal virtues, wisdom, justice, fortitude and temperance, so the course will explore these through the work of Thomas Aquinas. The bulk of the course, however, will focus on the modern resurgence of secular versions of virtue theory during the twentieth and twenty first centuries. Looking at the work of Philippa Foot, Rosalind Hursthouse, Alasdair MacIntyre, Michael Sandel and others, we will explore the reasons for this modern renaissance, and its links to wider developments in modern philosophies of knowledge, mind and action.
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What other support is available?
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